The Angels' scool

Besmiel and his comrades Hamaliel and Hamied are discussing as scool boys do. One idealises braveness, warfare and sacrifice, one statemanship and diplomacy, the third is youngest and his wings are still only humps. They declare their ideals.
The androgyne girl roles have to be frenetic, in black. Their output is energy, electric charm, ironic expressive apetite of life. "We are the champions".
As this is a symbolistic rockopera ther cannot be any historic threat, as of owerthrowing of power in a country, occupation or treason. The threat must be a challenge of the young persons boldness and character. They must protect themselves against what is cheap and mean. Maybe bad style, slander, seduction.
The angelboys and the (rock?)girls are supporting each other morally in turns. The boys are white and wise, the girls brave and fierce.
The admiration between Besmiel and Amarca is growing within the disco-rock-coral music. Noone knows the end. Could it be as Romeo and Julia? Or can an angel kiss a rocky baby?